I’m part of super fun lineup of speakers, and there are a ton of cool workshops and hands-on experiences taking a radical egalitarian approach to tech!
Jungle Room & Fuzed Funk join forces once again for another high level evening of battle-style DJ sets hosted by the legendary master of ceremonies Mis-Ty! Ripley b2b Art Cuebik and many more pairings at The Liaison Room - Funktion 1 Sound System and all!
This is the second edition of Organized Damage's events featuring talented local artists playing some sick sets across heavy bass noise and breakcore genres. Special guest = VideoPunks !!
Pleased to present my book to the audience at IFFY books a local radical hacker freeculture gardening space. come and say hi!
Join us for bouncy bassy fun at the legendary Khyber Pass Upstairs! Free!
ALL BREAKS STYLES ALLLL NIGHT
Come out and celebrate with us! Only a few tickets left! I’m so proud to be a part of this organization, we make a good contribution to Philly arts and culture. I especially appreciate the emphasis on getting people paid and promoting people properly. We have a big push this year, especially as we look towards having our own physical space to show movies, alongside all of our cool, pop-ups, an outdoor events. There’s two tiers of tickets, 25 for non-alcohol drinkers (we have mocktails!) and 50 for alcohol drinkers. There will be delicious snacks, an open bar, cool, prizes, and great people.
AND dj sets from @lildave215 and @recordbreakin , myself (ALL VINYL 2step Garage Bassline classics), and @needle.fag .
All hapenning Saturday 9 December 7-11pm!!
Buy a ticket, and come through!! Http://bit.ly/cinespeakcelebrates10
Catch Ripley talking about her book at the Howard Zinn Bookfair on Sunday December 3 at 2:3-pm1
SUCH a thrill to finally throw down at the positively legendary and definitely banging #drumnbass night in the town I grew up in! Dj Lenore is the hostess with the mostest and a devastating DJ as well. The soundsystem at the Phoenix Landing is legit and there is just enough room to lose it on the dancefloor!
And from me? Expect the unexpected - #bass music from across the hardcore continuum!! Come to dance, Cambridge/Boston and surrounds!
wkdu.org and archived at https://soundcloud.com/wkdu/2023emm-dj-ripley?in=wkdu/sets/2023-electronic-music-marathon
bonks and bass for czech radio, archived on soundcloud https://soundcloud.com/radioplato/naviny-z-fluxu-27-dj-ripley-philadelphia-us
Super happy to be a part of the legendary AND fun WKDU Electronic Music Marathon! I'm on 9pm Sunday Oct 9. It’s a fundraise for great causes too!
Live improv collab with Sunken Cages before an amazing new film in a beautiful garden location
It's hot and sweaty so that means it must be time for another jungle rinseout down by the Schuylkill.
Somewhat unbelievably, this is our 5th SITJ so to celebrate we are bringing Pete Dev/Null back down to kill it the same way he did for our very first one. Between his abyssal collection, longrunning Blog to the Old Skool blog and radio show with FutureRetro head Tim Reaper, Pete is certainly a top hardcore-jungle Don on the east coast, if not North America.
Set times:
8-9 - S.R.
9-10 - Ripley
10-11:30 - Dev/Null
11:30-end - Wolf Dem
Book Talk , DJ Session and piano performance! Free event!
This is a collab with Cave Contemprary and the pianist Paolo Casolo
♡ Piano Session | Paolo Casolo, compositore e pianista di formazione classica, propone una musica da sogno che spazia tra diversi stili. Il suo repertorio oscilla dalla musica per film alla musica italiana, con intermezzi dorati di jazz, blues, classical music e composizioni proprie.
Live at 2pm CET (Berlin time), music and some ideas and stories from the book
Krach am Bach!
Pochwerk Orange ist zurück ! Am 05.06.2022 sind die Buschfunk, Pamp Sound, Turbojugend Oberpöbel e.V. Crew`s für Euch wieder am Start mit Gästen der elektronischen Musikszene.
Euch erwarten 2 Floor`s - wie gewohnt in malerischer Kulisse auf dem Gelände der des Krach am Bach Oberpöbel Fest - der Putzmühle Oberpöbel.
Waldfloor:
Dj Ripley ( Subversion / New York)
https://soundcloud.com/ripley
Tranceporter ( Rave Factory )
https://soundcloud.com/tranceporter303
Hydraulik HiFi
AlphaK
EDi
Common Mob
https://soundcloud.com/oberp-bler
qbus
https://soundcloud.com/infra23
powered by PamB Sound
Main Floor:
Rico Loewe (Elektrozid / DD)
https://soundcloud.com/ricoloewe
Apsyllon (Senlima Kollektiv)
https://soundcloud.com/apsyllon
R. Kunz (Buschfunk Crew) & Friends
https://soundcloud.com/rkunz
powered by Buschfunk Crew
Wir freuen uns auf Euch und auf einen schönen gemeinsamen musikalischen Abend !
See you ! Ahoi !
ＰＲＯＧＲＡＭM
18.00 - 20.00
Outdoors: Fem*Sound_Connection: sound session
Indoors: Tooflez Muzik presents: Touch The Vinyl (Dj/Scratch Workshop)
20.00 - 21.00
Talk Penelope Braune - »Wen von uns nennt ihr hier Bitch?« - Strategien der Weiblichkeitsperformance im deutschsprachigen Rap 2.0
("Which one of us are you calling bitch?" - Strategies of Femininity Performance in German-Language Rap 2.0. This talk will be in German)Outdoors)
21.00 - 22.00
Talk: Larisa Mann - Rude Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power
(''Rude'' Staatsbürgerschaft: Jamaikanische Populärmusik, Urheberrecht und
der Nachhall der kolonialen Macht. Dieser Vortrag wird auf Englisch gehalten/Outdoors)
22.00*- 23.00 Khadija
23.00 - 00.00 Dj Ripley
00.00 - 02.00 That Fucking Sara
02.00 - 04.00 DJSOULSEEK
04.00 - 06.00 Mʊdʌki
Technically, a ‘sound system’ is a connection of speakers and cables, producing sound into the air. Culturally, a ‘sound system’ is a connection of people and music, producing an interaction, community and protest. So join us for ‘Sub-Ω-Tage’, an event in which we celebrate our FLINTA community, united in the love of bass music, as we collectively sabotage the patriarchal structures within the industry of these genres.
To this end, Sound System Culture Berlin will once again embark on a tour of discovery on the radical roots of rave, right down to its historical model: the first mobile sound systems, created in Jamaica at the end of the 1950s. Their purpose was to get the pre-recorded concerts, which the majority of the mostly black population couldn't afford or wasn't allowed to attend, to the people on the streets. This gave rise to so-called 'street dances' which later also became known as 'raves.’
Despite the emancipatory approach that emerged in the origins of this subculture, many of the resulting genres from the bass music spectrum are today characterised by white, cis-male dominance. While in other electronic music styles, such as techno and house, widespread and well-known international networks exist, the representative of other genres (such as dub, dubstep, break beats, garage, drum and bass or rap) mostly remain marginalised. It often seems as if the intersectional feminist discourse is only publicly conducted and represented in certain areas. We want to shake that, and show that there are strong and active representations of the respective forms of expression with their roots in sound system culture.
In the first part of the Sub-Ω-Tage, we will enter into a dialogue with each other through lectures, workshops, live performances, installations and other interventions of mutual exchange. The shared experience of the content is then expanded and made tangible through music. The dance floor becomes an object of research and a platform for our feminist discourse.
ＡＷＡＲＥＮＥＳＳ ＶＩＳＩＯＮ
This event was conceptualised on the basis of promoting and celebrating FLINTA* in ‘bass music’ genres including, but not exclusive to, dub, dubstep, broken beats, garage, drum and bass and rap. So that the event can live up to its potential, we ask all of our attendees to understand our Awareness Concept.
This event is also open and welcoming to people who do not identify as FLINTA, but are committed and proactive in creating a safer-space for those who do. A safer-space is created when we respect one another’s physical space, bodies and boundaries. Remember that others may not identify as the gender society has trained you to assume.
In order to unpick patriarchal structures, events promoting and encouraging FLINTA talents are necessary if we ever dream to reach equality. If you are unable to understand why, then please do not attend this event.
Sound system culture, the bass music genres that this event will celebrate, and also techno and other forms of dance music - is a product of BiPoc people. An awareness of this truth is also a prerequisite for attending this event. This means giving space to, listening, and amplifying these voices. Be aware of your own blindspots and learned prejudices and privileges. To be a good ally normally means to talk less, and listen more.
Keeping the fam lively, even remotely!
tune in via my Twitch stream :D
Pleased to be part of a cool conversation with a noted scholar of popular music, Hans Nieswandt, at Donau Festival, a great music festival in Krems Austria.
On the dj lineup at Donaufest, check the whole show!!
Join us for an in-person event with Professor Larisa Kingston Mann (also known as Dj Ripley of Dutty Artz/Heavy NYC) to discuss her new book Rude Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power
Live collaborative improvisation with Sunken Cages in a custom built 3D environment!
Joining a stellar lineup of hardcore jungle bass hitters
The lineup starts at 7pm EST
